July 15, 2020
Framed for murder, an optimistic social outcast must prove his innocence. As the book opens, the collapse of a rugged hillside in Normandy reveals a trio of skeletons who seem to have died in the same place but at different times. Then we flash back to five months earlier, as Jamal Salaoui is attempting to climb "the highest cliff in Europe." As a Muslim, he's been a scapegoat his entire life. At the Saint Antoine Therapeutic Institute of Bagnolet, where he works, he's often unfairly accused of neglecting his teenage clients. When he spots a distressed young woman dangerously close to the cliff's edge, he's unable to stop her from leaping to her death. At this point, Jamal, now accused of murder, takes over the narrative. After he ventures down to examine the body, things become more complicated. A woman named Denise and her male companion, whom Jamal dubs Xanax, arrive, eyeing him suspiciously. They're soon followed by laconic police captain Piroz. A cursory look at the dead woman reveals that she's naked under her coat and that she's been raped and that someone had also tried to strangle her. Then an anonymous person mails him newspaper clippings, case notes, and witness statements at the hotel where he's staying, seemingly about the tragedy on the cliff, but when he looks more closely he sees that the article is a decade old. A second flashback spotlights this earlier, identical crime, also investigated by Piroz. As evidence piles up against him, Jamal and intrepid postdoctoral fellow Mona use their wits and the internet to ferret out the real killer. Bussi creates a devilish nesting-doll plot that involves a sudokulike number square, ghosts, and surprising family connections. A tantalizing puzzle starring a truly lovable protagonist.
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