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Title details for Aspects of the Novel by E. M. Forster - Available

Aspects of the Novel

by E. M. Forster
ebook
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The renowned British novelist’s “casual and wittily acute guidance” on reading—and writing—great fiction (Harper’s Magazine).
 
Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain’s—and the world’s—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels—with specific examples from such masters as Dickens and Austen—discussing the elements they all have in common.
 
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between “flat” and “round” characters and between plot and story; and ultimately provides an “admirable and delightful” education for anyone who appreciates the art of a good book (The New York Times).
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Publisher: RosettaBooks

OverDrive Read

  • ISBN: 9780795311567
  • Release date: July 1, 2010

EPUB ebook

  • ISBN: 9780795311567
  • File size: 3052 KB
  • Release date: July 1, 2010

Formats

OverDrive Read
EPUB ebook

subjects

Literary Criticism Nonfiction

Languages

English

Levels

Text Difficulty:9-12

The renowned British novelist’s “casual and wittily acute guidance” on reading—and writing—great fiction (Harper’s Magazine).
 
Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain’s—and the world’s—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels—with specific examples from such masters as Dickens and Austen—discussing the elements they all have in common.
 
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between “flat” and “round” characters and between plot and story; and ultimately provides an “admirable and delightful” education for anyone who appreciates the art of a good book (The New York Times).
Expand title description text
Literary Criticism Nonfiction