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Anita de Monte Laughs Last

ebook
1 of 1 copy available
1 of 1 copy available
A TIME MUST-READ FOR 2024

THE REESE'S BOOK CLUB PICK FOR MARCH 2024

'I have goosebumps just talking about this story' REESE WITHERSPOON
'Smart, funny – and furious' MARIE CLAIRE
'Genre-busting ... A clear-eyed deconstruction of skewed value systems' FINANCIAL TIMES

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Who gets to leave a legacy?

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of colour, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.
But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.
Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

A NEW YORK TIMES, ELLE AND GOOD HOUSEKEEPING HIGHLIGHT FOR 2024
'Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy'
Washington Post

'Rollicking, melodic, tender and true. And oh so very wise'
Robert Jones, Jr., author of The Prophets
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    • Publisher's Weekly

      Starred review from November 20, 2023
      Gonzalez (Olga Dies Dreaming) takes inspiration from the mysterious 1985 death of Cuban American artist Ana Mendieta for this astute account of an art history student who researches the circumstances of a similar tragedy. Award winning Cuban artist Anita de Monte, who is married to successful minimalist artist Jack Martin (a stand in for the sculptor Carl Andre), mysteriously plummets to her death from the window of their 33rd-floor apartment in New York City. Gonzalez then jumps to 1998, when third-year Brown University art history student Raquel Toro is on the brink of starting her senior thesis on Martin. Raquel begins a coveted summer internship with Belinda Kim, an acclaimed Asian American feminist curator opposed to the “art for art’s sake” philosophy trumpeted by Raquel’s white thesis adviser. Under Kim’s tutelage, Raquel learns of de Monte’s mysterious death, propelling her research on Martin in an unexpected direction. Her own life begins to resemble de Monte’s when she falls for a Brown classmate, a wealthy white up-and-coming artist with ties to the New York art world. Just as de Monte played second fiddle to Martin during their marriage, Raquel’s boyfriend downplays her research, and both relationships fray due to the men’s deceitful and manipulative behavior. In addition to the intrigue generated by Raquel’s search for answers about de Monte’s death, Gonzalez crafts excoriating and whip-smart commentary on the art world’s Eurocentric conceptions of beauty and the racism faced by first-generation students of color. This is incandescent. Agent: Mollie Glick, CAA.

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  • English

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