One Shot

May 23, 2005
The final sentence of Child's ninth suspenser (after The Enemy
)—"Then he could buy a pair of shoes and be just about anywhere before the sun went down"—is quintessential Jack Reacher, the rugged ex-army cop who practically defines the word "loner" and kicks ass with the best of 'em. In the book's gripping opening, five people are killed when a shooter opens fire in a small unnamed Indiana city. But when ex-infantry specialist James Barr is apprehended, he refuses to talk, saying only, "Get Jack Reacher for me." But Reacher's already en route; having seen a news story on the shooting, he heads to the scene with disturbing news of his own: " done this before. And once was enough." Nothing is what it seems in the riveting puzzle, as vivid set pieces and rapid-fire dialogue culminate in a slam-bang showdown in the villains' lair. (And what villains: a quintet of Russian émigrés, the stuff of everybody's worst nightmares, led by a wily 80-year-old who makes Freddy Krueger look like Little Lord Fauntleroy.) As usual, Child makes the most of Reacher's dry wit, cut-to-the-chase psychology and stubborn taciturnity—in short, this is a vintage double play for author and leading man. Agent, Darley Anderson
.

October 3, 2005
While reader Hill has proven himself to be an all-purpose narrator with a 200-plus audiography, his specialty is interpreting suspense and crime fiction like this bullet-paced thriller. Written lean enough to make Hemingway seem chatty, the ninth novel to feature the resourceful ex-military cop Jack Reacher begins with a bare-bones description of an unemotional sniper prepping for and carrying out a mass slaying in the business area of an unnamed Indiana city. The killer's dispassion is chilling, and Hill, who has narrated the author's previous titles, matches the mood with an objectivity that raises the goose-bump level even higher. When Reacher, one of fiction's more reticent heroes, arrives on the scene, Hill provides him with a brusque, confident, properly manly voice, but adds a note of wariness that subtly suggests the adventurer's cynical nature. This tops a gallery of smart audio portraits, each with his own identifiable accent. Child has purposely designed the novel to move forward unfettered by stylish flourishes, and Hill follows that plan, concentrating mainly on increasing the pace as the story speedballs to its satisfying conclusion. Simultaneous release with the Delacorte hardcover (Reviews, May 23).