Sarah Thornhill

April 2, 2012
The final novel in Grenville’s trilogy about the British colonization of New South Wales continues her exploration of the savagery with which emancipated convict settlers ousted the indigenous peoples. The novel, which can be read as a stand-alone, is told from the point-of-view of Sarah, the youngest child of William Thornhill, the conflicted protagonist in The Secret River. From early childhood, Sarah senses her father’s troubles, and eventually discovers their terrible source. Her disillusionment will highlight the novel’s central question: is it possible to both thrive as an individual and sufficiently atone for the sins of one’s ancestors? Sarah’s affair with her brother’s closest friend, whose mother was an Aborigine, is squashed by Sarah’s wicked stepmother, more cliché than character. Sarah then marries an English Protestant from Ireland, whose background Grenville exploits nicely: usurpers can be found on any continent. Lyrical passages light up the narrative, and Grenville’s profound themes make it tempting to ignore the novel’s flaws. Sarah lacks the complexity and credibility of protagonists in the earlier novels, and Grenville postpones the reveal of the family’s secrets for too long, perplexingly, as they were already revealed in The Secret River. Agent: Canongate Books, Scotland.